In the latest issue of TV Guide, we’re taken behind the scenes of Pushing Daisies.
Here are a handful of secrets about our new favorite show that make us look forward to tonight’s episode even more…
1. Pushing Daisies bloomed out of a never-realized storyline for Showtime’s Dead Like Me. The protagonist of creator Bryan Fuller’s previous death-centric series, Grim Reaper George, “was going to find out she wasn’t able to collect some souls because somebody was coming along and bringing people back to life [with a] touch,” he reveals.
So when he left Dead to do the short-lived Fox series Wonderfalls, Fuller tucked the idea in his back pocket until last year, when he was charged with coming up with a new show for Warner Bros. To flesh out the tone, he found himself drawing inspiration from one of his favorite films, 2001’s whimsical Amélie.
“Really sad things happen in it,” Fuller explains. “But you never get bogged down in the sadness. Like Daisies, it’s really about human kindnesses.”
2. From its hyperactive color palette to its fantastical sets and props, Pushing Daisies looks like nothing else on TV. And that’s exactly how production designer Michael Wylie wanted it: “My goal was a storybook come to life. I wanted everything to look almost like an illustration.” He achieved it by concentrating on “conflicting patterns in different colors,” particularly reds and oranges, but per director Barry Sonnenfeld, virtually no blues.
One of his proudest creations is the “vaguely Parisian” Pie Hole — built, naturally, in the shape of a pastry — where Ned works. There, no detail is too small. Its mouthwatering tarts “are all real,” Wylie reports. “There’s a chef that comes in and [makes] new pies every time we shoot there.”
3. Fuller had Lee Pace in mind to play the gifted/cursed Ned when he sat down to write the pilot. He’d cast the 28-year-old Oklahoma native on Wonderfalls and felt confident he could “bring the material to life in a way that didn’t feel like the written words were so written.” There was just one problem:
“I wasn’t looking at TV,” remembers the then-film-focused actor, who appeared in The Good Shepherd with Matt Damon. “His agents shut the door in our faces,” Fuller says bluntly. Ultimately, Pace’s manager interceded. “The more I thought about it,” Pace says, “I couldn’t see this going wrong.” So far, he’s been right.
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